Tuesday, 27 September 2011
The softer side of fall
Thursday, 22 September 2011
Getting ready for a Craft Fair
Today I am trying to take hold of and be in control concerning my upcoming Craft Fair. It is at a county fairgrounds (Adams, for those of you in the area) with 250 booths. WHAT!!!
This will be the largest venture I have tried.
9 - 4
Sunday, 24 April 2011
A Bright Easter
He came to earth in this new body so His disciples could believe, and so there was no doubt that His body had not been stolen or disposed of. It just was no longer in the tomb....dead.

Tuesday, 1 February 2011
Relationship with contemporary styles and movements
As an art movement, Art Nouveau has affinities with the Pre-Raphaelites and the Symbolist movement, and artists like Aubrey Beardsley, Alphonse Mucha, Edward Burne-Jones, Gustav Klimt and Jan Toorop could be classed in more than one of these styles. Unlike Symbolist painting, however, Art Nouveau has a distinctive visual look; and unlike the artisan-oriented Arts and Crafts Movement, Art Nouveau artists readily used new materials, machined surfaces and abstraction in the service of pure design.
Art Nouveau did not negate the machine as the Arts and Crafts Movement did, but used it to its advantage. For sculpture, the principal materials employed were glass and wrought iron, leading to sculptural qualities even in architecture. Ceramics were also employed in creating editions of sculptures by artists such as Auguste Rodin.[40]
Art Nouveau architecture made use of many technological innovations of the late 19th century, especially the broad use of exposed iron and large, irregularly shaped pieces of glass in architecture. By the start of the First World War, however, the highly stylised nature of Art Nouveau design—which itself was expensive to produce—began to be dropped in favour of more streamlined, rectilinear modernism, which was cheaper and thought to be more faithful to the rough, plain, industrial aesthetic that became Art Deco.
| Vase by Daum (c. 1900). | Chair designed by Henry Van de Velde for his house "Bloemenwerf" in Brussels. | "Majolikahaus" (det.) 1898 by Otto Wagner[41] | Bechstein Art Nouveau grand piano 1902 made for Julius Gütermann |
Gallery
| Building in Riga by Mikhail Eisenstein | Hôtel Ciamberlani in Brussels by Paul Hankar | House of the architect Peter Behrens on the Mathildenhöhe in Darmstadt | Building in Łódź by Gustaw Landau Gutenteger |
| The House with Chimaeras in Kiev by Vladislav Gorodetsky. | Casas del cuito building in Oviedo | Hungarian art nouveau: Palatul Prefecturii, 1907 (Târgu Mureş, Romania) | Cifrapalota, 1902 (Kecskemét, Hungary) |
| The centre of Ålesund, Norway, was rebuilt after a fire in 1904, much of it in Art Nouveau style. | Gresham Palace, in Budapest, Hungary | Kiskunfélegyháza, Hungary | Kecskemét |
| Budapest | Varna, Bulgaria | Katajanokka area (Helsinki, Finland) | Lucerna passage Prague |
| The Macca-Vilacrosse passage, Bucharest, Romania | Entrance door detail of the Villino Lampredi by Giovanni Michelazzi, Florence | Gümüşsu Palas in Istanbul, Turkey | Prešeren Square, Ljubljana (Slovenia) |
























